Rap the Bard Hard
Mark Rylance, the first artistic director Shakespeare’s Globe Theatre in London, between 1995 and 2005. suggests theatre rap productions of Shakespeare plays. He says Shakespeare’s precise words should be less revered, and compares the Bard’s use of language to the rappers of today. Rylance says Shakespeare should not be worshipped on an intellectual level, saying too many performers speak his lines too slowly. Instead, he said, actors should learn from a generation of young people growing up on rap music, to reconnect with the quick-speaking emotion Shakespeare originally intended. “If I have a general criticism, which is true of my Shakespeare acting and most ShakespeareRead More →